Date of Sermon:  December 16, 2007

                         


 

CHRISTMAS PRESENTS:
SWITCHES AND COAL!

Rev. Kip Gilts

Luke 1:46-55

 

           I walked into a bank just after Thanksgiving and heard Christmas music.  I asked one of the employees how long it would take her to grow weary from the music.  She said, “I hardly ever notice it, unless I hear a song that I really like and then I catch myself singing along.”  This is the season of music.  We hear it in malls, on television shows, even in the parsonage at advent time.  Already we have heard the sounds of Advent here through a presentation of Handel’s “Messiah”, and last week’s “Family Christmas Concert”.  This week I invite you to pay attention to the music that is all around you. 

The closing scene of William Shakespeare’s, Merchant of Venice, has Lorenzo and his beloved Jessica listening to music in the stillness of the night.  Lorenzo speaks to her and says, “Here will we sit and let the sounds of music creep in our ears.” 

I invite you to do that very thing this morning.  We begin with a song that was sung over 2,000 years ago, the song of Mary, the Magnificat.  It is found in Luke 1:46-55.  Hear now the Word of the Lord:

46And Mary said, “My soul magnifies the Lord, 47and my spirit rejoices in God my Savior, 48for he has looked with favor on the lowliness of his servant. Surely, from now on all generations will call me blessed; 49for the Mighty One has done great things for me, and holy is his name. 50His mercy is for those who fear him from generation to generation. 51He has shown strength with his arm; he has scattered the proud in the thoughts of their hearts. 52He has brought down the powerful from their thrones, and lifted up the lowly; 53he has filled the hungry with good things, and sent the rich away empty. 54He has helped his servant Israel, in remembrance of his mercy, 55according to the promise he made to our ancestors, to Abraham and to his descendants forever.”

The Word of God for the people of God.  Thanks be to God.  In this passage Mary sang a song of a revolution that began with a nobody living in the middle of nowhere.  We are in the midst of an Advent series of sermons entitled Christmas Presents.  We have already seen the first present, Tranquility for the Troubled: Peace that God offers to those who are concerned, conflicted, and confused.  Last week we looked at the second Christmas present, Hope for the Hopeless, a gift with some assembly required of three main components: Compassion, Capability, and Clarity.  Today’s present is a bit unusual.  It all depends on how you look at it.  From one side it looks like Joy to the World.  From another side it looks to be nothing but switches and a lump of coal.  The nature of this gift is conveyed through music.  Here will we sit and let the sounds of music creep in our ears.

            Mary’s song is a beautiful song.  It is personal and public, promising and perplexing. I wonder how much of the story Mary really knew.  I encourage you to keep your Bibles opened to Luke 1 as Sterling Allen sings that song, “Mary Did You Know?Here will we sit and let the sounds of music creep in our ears.
 

The Song of Christmas is a Personal Song

            Mary realized that what had been promised was quite personal.  This lowly servant would be seen as blessed by every generation that would follow her.  E. Earl Ellis wrote in his commentary on Luke, “God chose Mary, a peasant maid, to fulfill the hope of every Jewish woman.  For in Judaism that which gave the deepest meaning to motherhood was the possibility that her son might be the Deliverer.”  Mary, did you know? She knew that this song was a personal song.  The first four verses inform us of that.  Dietrich Bonhoeffer wrote in The Mystery of the Holy Night, “Mary, grasped and seized by the Spirit, speaks of God’s coming into the world, of the advent of Jesus Christ.  For she knows better than anyone what it means to wait for Christ.”  She too waits for her deliverer.

Years ago, when Zac was still in elementary school he had a friend spending the night and they decided to sleep in nylon sleeping bags on his queen sized bed.  I guess that is like camping out at the Hilton.  To make room for such a big bed in his little room, he had his bed pushed up against the wall.  He and his friend started bumping and rolling into each other in their sleeping bags, as if they were bumper cars.  We heard laughter and bumping and moving around and then we heard a loud thud.  All was quiet for a while and then more laughter.  It was getting late, so I hollered out, “It’s time for bed.  Go to sleep.”

Then I heard Zac’s little voice say, “Dad, I’m stuck.”  I told him that I would come and get him in a little bit, knowing that whatever he was stuck in, he would free himself soon.  Tammy grew a little concerned and went into the room.  She found Zac encased in his sleeping bag, stuck between the bed and the wall.  His friend could not free him, nor could his mother. 

I went in there and looked at my son wedged into the wall and wondered, “How does he get himself in these situations?”  I pulled the bed away from the wall and he plopped onto the ground. 

As I wandered back into my room, my heavenly father seemed to speak to me, “I know what you mean.  My kids do this all the time.  They get themselves into a bind from which they cannot free themselves.  I had to come too and set my people free.”

“Mary, did you know that your baby boy has come to make you new?  This child that you delivered will soon deliver you.”  The song of Christmas is a personal song.

Joni Eareckson Tada once wrote, “We never knew how hungry we were for God until Jesus arrived.  When he was delivered onto the stable straw, we caught the fragrance of the presence of God.  We inhaled the aroma of God with us and became acutely aware of a hunger deep inside.  We hardly had words for it, but…it is a longing for the Lord.

Do you know of your personal need for this miracle of God with us?  Do you know just how hungry you are? If you do, then this is the gift of Joy to the World.  If you are not aware of your need, your hunger, then this may very well seem to be nothing more than switches and a lump of coal.  Here will we sit and let the sounds of music creep in our ears.  The song of Christmas is a personal song.

 

The Song of Christmas is a Public Song

Mary knew that her song was not for her alone.  In verse 50 she makes it clear, “His mercy is for those who fear him from generation to generation.”  Everyone would be affected by this obscure event promised to this unknown peasant in a disrespected town.  Fred Craddock wrote in his commentary, “The powerful and the rich will exchange places with the powerless and poor.  And this ultimate reversal has already begun, God’s choosing Mary is evidence of it.”  The promise is to all who have nothing good things will be given (Joy to the World), but to all who have plenty, they might expect switches and a lump of coal.

           Switches and a lump of coal are the gifts given to those who squandered their gifts from last year, those who used their possessions or power to harm others or refused to use them to help others.  Dietrich Bonhoeffer wrote, “Who among us will celebrate Christmas right?  Those who finally lay down all their power, honor and prestige, all their vanity, pride and self-will at the manger, those who stand by the lowly and let God be exalted, those who see in the child in the manger the glory of God precisely in his lowliness.”  Anything else would simply seem to be switches and a lump of coal.

           That’s what Alice Wendleken seemed to receive in Barbara Robinson’s, The Best Christmas Pageant Ever.  Alice was always Mary in the annual Christmas Pageant put on by the children, “because she was so smart, so neat and clean, and, most of all, so holy looking.”  But that was before the Herdmans came on the scene.  The Herdmans were the most despised and feared children in the community.  Once they started a fire just to watch the firemen put it out.  The local bakery brought doughnuts on site for the firefighters and the Herdmans stole all of them.  The author tells the reader that the Herdmans learned a good lesson that day, “Where there is a fire, sooner or later, there will be doughnuts.”

            Everyone was surprised when the Herdmans had all the lead roles in the annual pageant.  They had arrived at church, because they discovered that there were snacks at Sunday School.  Then they auditioned for the pageant.  Then they threatened anyone who would audition against them.  So they got all the lead roles.  The thing was the Herdmans did not know the Christmas story.  All during rehearsal they would stop and ask why Mary and Joseph were going to Bethlehem, what an inn was, why frankincense and myrrh were presented, and where shepherds came from.  The pageant itself did not go any more smoothly.  The angel’s one line was altered as Gladys Herdman announced, “Hey, unto you a child is born.”  Mary burped the baby before placing him in the manger.  And to everyone’s surprise the three Herdman wise men brought a ham, instead of gold, frankincense, and myrrh.  It was the ham from the food basket that had been given to the poor Herdman family by the charitable works committee – without a doubt, the most valued possession in their entire home.  The wise men refused to leave the side of the baby, and then the most unexpected event happened.  During the singing of “Silent Night”, Imogene Herdman - the meanest of all the Herdman kids, who by sheer intimidation landed the role of Mary – Imogene Herdman stood there with her crooked veil and swollen eye crying, and crying, and crying.  Christmas just came over her all at once.  Joy to the World.

           Poor Alice Wendleken.  She never really got it.  All she knew was that the role she had always played was not hers to play this year, and the way things had always been done were not being done this year.  Switches and a lump of coal were the only things she could see.  She thought everything was ruined and failed to witness The Best Christmas Pageant Ever.

           The song of Christmas is joy to the world, but it is to all the world, not to those who are always playing the same roles of privilege.  Here will we sit and let the sounds of music creep in our ears.

           Mary’s song seems so sweet and jubilant, but really it is a protest song that proclaims joy to all the world, especially those most frequently left out.  There are lots of songs still to be sung this season, lots of gifts still to be given.  I invite you to let the sounds of music creep in your ears and into your souls.  It is a personal song that speaks to you and a public song that reaches out to all.  Which side of the gift can you see?  Amen.

 

 

   

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